Given the series’ notoriously high levels of testosterone, Gears of War 4 is surprisingly focused on matriarchy. Its female characters have always been on equal footing with their male counterparts, but in this installment they are more central to the narrative. Humanity is rebuilding, relying on maternity during a time of renewal and rebirth.
The game makes clear from the outset that this is the basis for the story. We are introduced to JD and Kait as they examine a chrysalis, foreshadowing the Locust’s rebirth via transformed humans. They are on a mission to break into the heart of a human settlement, which they do so by cutting through its maternity wing.
At the core of each human settlement is the Fabricator, an exciting new gameplay mechanism which fits neatly into the overarching theme as it draws comparisons between industry and reproduction. It is basically a black box from which the essential elements of society emerge, consuming raw materials and giving birth to the future. The only thing the Fabricator cannot make is a person. >> CONTINUE >>